Salomaybe? Salodefinitely.

Yesterday I had the privilege of attending a special screening of Salomaybe?, an amazing film about Oscar Wilde's Salome, but really about so much more. About 12 years ago, Al Pacino made an acclaimed documentary film called Looking for Richard, in which he attempted to analyze and illuminate Shakespeare's Richard III and make it more accessible and significant to a modern audience. In this film he gives a similar treatment to a lesser-known play by a lesser-known playwright (well, less known than Shakespeare, at any rate). But it's not just a movie about a play. To get to the heart of the work, Pacino turns the spotlight on its creator and unravels the threads of pride, passion, and shame that tie the author and the work together. Along the way we get fascinating looks at the art and the business of theater and cinema. Inevitably, it also becomes a study of Pacino himself as he clashes (good-naturedly, mostly) with his collaborators, including stage director Estelle Parsons and leading lady Jessica Chastain. Early in the film, Chastain expresses concern that she looks like she's being difficult as she argues in defense of her vision of the character and the play, and the maneuvers of these three artists sometimes create interesting parallels and contrasts with the relationships at the center of Salome. But it is all justified by Chastain's performance of the play's climactic monologue, which is one of the most shattering performances I've seen recently on stage or screen. I don't know if the Academy would ever give an acting award for a performance in a documentary, but it's something to consider. I could keep writing about this movie, but since it was a private screening of a work in progress I probably shouldn't go into too much detail. After the screening, Mr. Pacino said he'd see us all in six months for the next cut. It's a complex film, and I suppose it's inevitable that the released version will be simplified somewhat, but hopefully not too much. As it stands it's a rich, multi-layered reverie on a sometimes difficult and perplexing play by a sometimes difficult and perplexing man.